Fine Art M.S. Rau | Tonnelle Nord-Ouest Au Parc De Marquayrol (La Pergola) By Henri Martin

Henri Martin
French | 1860-1943

Tonnelle Nord-Ouest Au Parc De Marquayrol (La Pergola)

Signed “Henri Martin” (Lower Right)
Oil On Canvas

A Dazzling Display Of Color And Texture, Henri Martin’S Tonnelle Nord-Ouest Au Parc De Marquayrol (La Pergola) Celebrates The Natural Beauty Of The Artist’S Sprawling 17Th-Century Estate Perched Upon A Hill Overlooking The Village Of Labastine-Du-Vert. The Famed Post-Impressionist Painter Created Many Impressive Works During His Illustrious Career, But The Paintings Of His Beloved Garden At Maquayrol Remain Among The Most Cherished By Museums And Collectors, And This Example Is Among The Finest Of These Compositions.

An Italianate Garden Lied At The Heart Of Marquayrol, Complete With Cypress-Lined Paths And A Circular Pool Adorned With Geraniums. Painted In 1925, Tonnelle Nord-Ouest Au Parc De Marquayrol (La Pergola) Takes The Viewer Behind The Walls Of Martin’S Garden, Revealing Its Pièce De Résistance: A Stately Yet Romantic Pergola Strewn With Flowering Foliage. A Towel Lies Beneath The Luxuriant Umbrella Of Blooms And Martin Paints A Still-Life Tableau Of A Water Pitcher, Glass And Bowl Of Fruit Amidst The Dense Thickets Of Plants, Juxtaposing Peaceful Accoutrements Of Domestic Life With The Powerful Beauty Of Untamed Nature.

Even So, Elements Of The Garden Remain Elegantly Manicured. A Warm Sill Along The Top Of The Bench Provides Space For A Myriad Of Potted Plants To Flower In The Sunlight. Even The Central Pergola Itself, Which So Reverently Showcases The Sheer Strength Of Nature With Its Profusion Of Blooms, Still Carries The Touch Of The Gardener Who Trains Each Branch And Leaf To Fall In The Most Graceful And Beautiful Way.

Henri Martin Began His Artistic Studies At The École Des Beaux-Arts In Toulouse. In 1879, He Moved To Paris To Study Under Jean Paul Laurens, And His Early Academic Style Earned Him A Medal From The Conservative Paris Salon At The Age Of 23. Shortly After, Martin Was Awarded A Trip To Italy, Which Profoundly Affected His Artistic Development. While Studying The Works Of The Italian Masters Giotto And Masaccio, Martin Acquired A New Perspective On Light, Leading Him To Abandon His Classical Training And Fall Under The Influence Of The Not-So-Academic Impressionists.

Utilizing And Experimenting With Various Impressionistic Techniques, Martin Created Important And Well-Received Divisionist, Symbolist And Pointillist Paintings. His Work Was So Admired That It Earned Him The Grand Prize At The Paris Exposition Universelle In 1900. Martin Remained An Independent Artist, Refusing Numerous Contracts From Successful Paris Dealers. His Works Can Be Found In Museums Around The World Including The Musée D’Orsay And The Palais Des Beaux-Arts In Paris. Martin’S Pergola Was One Of His Favorite Subjects To Paint, And He Captured The Lush Structure From Several Angles Across The Seasons. The Artist’S Pergola Paintings Have Fetched Some Of The Highest Auction Records For The Esteemed Artist, And Remain Valuable Additions To The Most Esteemed Collections.

Cyrille Martin Has Confirmed The Authenticity Of This Work.

Circa 1925

Canvas: 30” High X 36 1/2” Wide
Frame: 38 1/2” High X 44 3/8” Wide X 3 1/2″ Deep

Provenance:
Anonymous Sale, Christie’S, New York, 6 May 1998, Lot 169
Private Collection
M.S. Rau, New Orleans